Ten Approaches to (Jazz) Improvisation (ENG-ITA)

Ten Approaches to (Jazz) Improvisation (ENG-ITA)2 version: "English" & "Italiano" ENG Jazz classes most of the times primarily focus on theory as well as on its application, often neglecting or putting aside practice. But the theoretical framework can sometimes be perceived as overwhelming by students to such an extent that they may find it hard to get the major element of improvisation, that is the creation of a personal language which must include an appropriate assimilation. Knowing what to do

2 version: "English" & "Italiano"
- ENG -
Jazz classes most of the times primarily focus on theory as well as on its application, often neglecting or putting aside practice. But the theoretical framework can sometimes be perceived as overwhelming by students to such an extent that they may find it hard to get the major element of improvisation, that is the creation of a personal language which must include an appropriate assimilation. Knowing what to do (or not to do) is not enough.
- ITA -
Spesso i corsi regolari di musica jazz si concentrano sulla teoria, sulla sua applicabilitˆ, trascurando o relegando in secondo piano l'aspetto pratico; talora lÕimpianto teorico � talmente preponderante, che lÕallievo fatica a cogliere l'elemento fondamentale dell'improvvisazione ovvero la creazione di un linguaggio personale, che, per essere tale, deve prevedere una adeguata assimilazione. Sapere cosa fare (e cosa non fare) non � sufficiente.